Ebook Download Passage: A Work Record, by Irving Penn, Alexandra Arrowsmith, Nicola Majocchi
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Passage: A Work Record, by Irving Penn, Alexandra Arrowsmith, Nicola Majocchi
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An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. ; 300 pages; Description: 300 p. : chiefly ill. (some col. ) ; 32 cm. A stunning retrospective that was beautifully printed by Callaway and represents a comprehensive look at Penn's career up until 1991. Subjects: Penn, Irving -- Photography, Artistic -- Fashion photography. Includes "a work chronology in detail": p. 287-297.
- Sales Rank: #131651 in Books
- Brand: Brand: Alfred A. Knopf
- Published on: 1991-11-20
- Released on: 1991-11-20
- Original language: English
- Number of items: 1
- Dimensions: 12.75" h x 11.25" w x 1.25" l,
- Binding: Hardcover
- 300 pages
- Used Book in Good Condition
From Publishers Weekly
Penn, 74, selected the memorable images in this career retrospective in collaboration with Callaway Editions editors Arrowsmith and Majocchi. His photo-portraits (Auden, Chagall, Hitchcock, Spencer Tracy, Marlene Dietrich et al.) seem to spring out of a conspiratorial partnership with his sitters. He also has done impressionistic advertising photography that Corot might envy. Painterly still lifes are as provocative as the anatomically probing nudes. Penn's continually surprising imagination turns to animal skulls, cigarette butts, multicolored lips, street garbage--odd mementos to "the ultimate sadness of all vanity," as Liberman, editorial director of Conde Nast, writes in his perceptive introduction. Along with a steady stream of fashion photography that resembles a species of cultural anthropology, Penn, as we see here, has recently done powerful color drawings in a biomorphic cubist style. This album includes 71 tipped-in color plates and 397 black-and-whites, along with Penn's running commentary. The printing is of superb quality.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
In 1941 Penn, then an associate in Vogue 's art department handling the magazine's layouts, was encouraged by Alexander Lieberman to pick up a camera and do the actual photography instead. Since then, he has been producing images at once penetrating and mysterious. While Penn's incisive portraits of both the famous and the unknown--particularly ethnic peoples he posed carefully in studios--capture the specifics even as he renders the sitters timeless, his graceful yet boldly inventive fashion photography has gone far beyond the standard expectations of that genre. In fact, perhaps the most remarkable aspect of this overview is its demonstration that, in the hands of a master, the line between fashion photography and art photography simply does not exist. Penn provides some rather brief commentary on the images displayed here, but the photographs themselves--thoughtfully laid out, beautifully reproduced--make the book. For all libraries that collect photography books seriously.
- Barbara Hoffert, "Library Journal"
Copyright 1992 Reed Business Information, Inc.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Passages
By Mr. D. R. Steley
Just a stunning record of one of the best photographers ever.
I had the great honour of meeting Penn in 1988 at a conference, this book is the single best compilation of his work and a must for any photographers collection.
3 of 4 people found the following review helpful.
One of photography's true greats
By Parker C. Smith
Extraordinary.
This collection of Irving Penn's sublime portrait, still life and fashion photography does justice to the great master. It is a big, heavy volume, dense with pictures and some brief, but illuminating text. Easily one of the finest photo books ever published, right up there with Avedon's "In the American West" and Stieglitz's "Georgia O"Keefe."
0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Great photographs. They encapsulate an era.
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